A true master of his unique and incomparable craft (much like Jimi), Skrillex changed the face of music forever and made everyone become unwitting fans of post-hardcore, emo music.
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A solid “answer back” to the changing tide of rap music, Logic’s YSIV (Young Sinatra 4) brings it back to the old-school with New York style “Break Beats”, “Boom Bap” and “Cowboy Bebop”-esque jazz sounds.
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Ultimately, everyone wants to be accepted (to be loved), and everyone wants to do the right thing (what is true to them); yet, most of the time, being accepted and doing the right thing are at two opposing ends of the same spectrum.
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Nowadays, it can be quite hard to find albums that are just as dope from the very first opening track to the very last closing one.
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Why is it that, following the big Love-craze of the 1960s, we’ve slowly begun to fall off the music-as-a-movement wagon?
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Why is it that the more slurred and indistinguishable the speech, the more sticky a song sets in our brains?
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